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1800 An analysis of the characters of Hedda Gabbler by Henrik Ibsen. In Hedda Gabbler Ibsen portrays a cast of characters who hold opposing characteristics. We may define this opposition as, effectively, between vitality and exuberance tending towards chaos on the one hand, and a restrained, orderly inertness on the other. The opposition is not exactly that of Dionysus versus Apollo - for in this distinction which Nietzsche articulated there is vitality and value, indeed a complementariness, on both sides. In this play Ibsen has expressed what emerge as basically the negative aspects of these polar opposites, the capacity for negation and destruction in each of them. This paper will, in its examination of the play's characters, explore the opposition Ibsen sets up. 7 pgs. 7 f/c. 12b.
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1910 Marianne Moore: A Moral Spiritual Poet. This paper discusses how Ms. Marianne Moore is a moral spiritual poet through the two poems "Sea Unicorns and "Land Unicorns". 5.5 pgs. 13 f/c. 9b.
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1964 J.M. Barrie's Peter Pan. This paper examines this classic play act by act. 5.5 pgs. 12 f/c. 1b.
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2080 Anton Chekhov's "The Bet". "The Bet" is a short story that explores a moral theme regarding the value of a human life; however, the story is constructed with an important ironic twist that brings the reader back to the original context of the bet, and responds to the question of morality with an unexpected result. 2 pgs. 1 f/c. 0b.
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2275 Feminine Disguises: Women and Illusion in Henrik Ibsen. This paper will deal with the manner of Ibsen's treatment, and how he theatrically demonstrates how women are shaped into 'performances' whereby they create illusions of themselves and their peers in order to gain control of the world around them. 6 pgs. 6 f/c. 9b.
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2311 Arthur Miller and the American Dream. This paper discusses the play "Death of a Salesman" which clearly suggests that modern business is so coldly competitive that decent human values are ignored. Through the play, Miller is criticizing his countrymen's overemphasis upon material success. 6 pgs. 9 f/c. 7b.
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2775 Parallels In The First Three Scenes of Saint Joan. This paper will highlight that the first three scenes of Saint Joan closely parallel one another. Each scene opens with the characters paralyzed by indecision and fear. However, in every case Joan's arrival inspires confidence and, more importantly, action. Indeed, each scene ends with the characters shouting, or breathless, with inspiration. Moreover, in each case, this confidence is inspired by both Joan's physical presence and the fact that that she's accompanied by divine indicators of the veracity of her vision. 4.5 pgs. 7 f/c. 1b.
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